The forefront section of the painting seems as different plane isolated from the rest of the landscape, appearing nearly as if it were a cut- out mounted in the foreground of a simple representation of a withdrawn mountain. Further, the rock the mysterious figure stands on remains mostly in outline form, while some feature is observable at the pick near the feet of the character. Upon the rock, which the man is, stand on the light seems to be coming beneath it, somehow enlightening the fog. In other Friedrich's work, the general Romantic ideal, it appears fitting to the notion that this wanderer stands in amazement of the mysterious nature before him. However, the viewers are denied the opportunity to the face of the figure, making the tone to be questionable. A viewer is a man wearing a long dark - colored jacket, holding a stick in his right hand, standing in an equilibrium posture on the unbalanced surface of the rocks, which rise above the uttermost noticeable through foggy mass surrounding the most significant portion of the landscape. Hence, Friedrich's through The Wanderer Above the Sea of Fog paintings demonstrate his intention of promoting a reflective state, arising out of the idea and spirit of the artist and communicated to the observer as an object for scrutiny.Ĭaspar in The Wanderer Above the Sea of Fog places the wandering theme of the painting as a medium of intervening which stands amidst of observers and the sublime mountain landscape under speculation. The Wanderer above the Sea of fog is a perfect illustration, in this landscape Friedrich captures the overwhelming vastness of the traditional world and, by comparison, the smallness of the human being who experiences it. However, over the last few decades, though the shift of opinion, currently, it generally acknowledged that his work created mood: reverence, melancholy, longing, or some of these.

Since much artwork at his time was used for entertainment purpose, he employed nature as his major theme that made his art to be too careful, too precise, too finely detailed to permit close critical attention. Friedrich was famous for a symbolic landscape that represented a contemplative figure silhouetted against morning mists, night skies, barren trees, and Gothic ruins. The painter of The Wanderer above the Sea of Fog Caspar David Friedrich was a landscape painter of the 19th century- German Romantic Movement, he was considered as the Hilter's favorite artist and the most important painter of that era.

Wanderer above the sea of fog meaning